![]() If you can, tweak the edit, audio and colour grade as you build. The Producer will have to look at notes or write a script, so use this time to get to the point on the timeline where you know everything up until then is finished. ![]() If you are waiting for material to be fed to you or you can’t make a decision on something until the end, put a ‘to do’ marker where you need to and remove it when you’ve fixed that section. Don’t go overboard, use these sparingly as large numbers of them can confuse things.ĭon’t leave exporting all the parts of the show until 15 minutes before air. Get rid of as much finished work as early as you can. There will also be a Windows version of Canister available very soon.If you don’t have the luxury of commercial breaks or studio chat to break your export up, see if you can export in chunks and then have an op stitch them together in a playlist for broadcast.Ģ) Spend one minute before export slowly skimming through the timeline The first rule of broadcast is ‘Always edit first what is on air first.’ It might seem obvious, but getting half an hour of a show fed gives you an extra half hour of edit time. You can also get a MagStor unit through Hedge where you will receive a $500 USD Hedge Fund credit on top of that. All new MagStor purchases now come with a Canister license included. More and more people are starting to use MagStor for their LTO needs, so Hedge has teamed up with MagStor to bring you full driver detection and support for their devices. If you don’t specify an output colorspace or apply a LUT EditReady will continue to read the RAW file’s metadata and apply any embedded LUTs and color transforms specified on-set. For example, if you choose ARRI LogC/Wide Gamut as your output format and then select the ARRI LUT, you will get the correct result.ĮditReady will convert any RAW footage from ARRI, Sony, RED, or Blackmagic, into your chosen colorspace before applying the LUT. The way to avoid this is to let EditReady convert the original LUT-free video and apply the appropriate LUT after the conversion. When the video is converted, any previously-applied LUT won’t be correct. ![]() You don’t need to find the correct output LUTs for each camera make and model, because EditReady will automatically do that for you.Ī LUT will only be valid as long as the video remains in the same color space. EditReady converts any RAW format into these video standards automatically, without you having to worry about camera gamma or gamut settings. ![]() The new color conversions options (available through the color conversion panel) let you quickly choose between Rec709 (SDR) and PQ or HLG (HDR). The new Color Conversion panel lets you pick a destination colorspace and LUT, and then EditReady does the conversion for you. X-OCN saves between 30% and 60% compared to the original RAW media.ĮditReady also receives new Color Awareness technology that allows you to shoot in all flavors of RAW without having any headaches in post. EditReady can now take both the original Sony RAW and the much newer X-OCN codecs and converts them into more manageable files. Sony’s X-OCN codec is a compressed RAW format. EditReady- Color AwarenessĮditReady now offers full Sony support and it will work with both Sony RAW and X-OCN files. You can also generate sidecars containing all your custom elements, which will be processed automatically by iconik’s Storage Gateway app. In Hedge, you can now automatically add metadata to all your iconik assets. Hedge now integrates with iconik, and EditReady features a new color pipeline as well as Sony RAW and X-OCN support. New versions of Hedge and EditReady have been released.
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